Meat and Camera, raw…

I missed blogging last month, despite having worked on a bunch of stuff since my last post. I’m actually posting over on Artstation more often than here, but it’s mainly images, I’m trying to ensure that my posts here have more meat on the bones, if you’ll pardon the pun, so here we go!

There’s a mat in the bathroom at home that sits under the sink, it’s a sort of towelly material, with fluffy tendrils. I’ve looked at it many times and wondered if it would be possible to scan with photogrammetry, although subjects with tendrils are usually very difficult to work with due to occlusion, this particular mat had been washed and dried and trampled on many times, and by now the tendrils were limp and compacted. I was pleased with the attempt, from about 40 photos taken on my phone and Reality Capture. Everything below was rendered in real-time in Toolbag 3:

 

The AO worked out well, as the mat was basically a uniform hue, all that was really captured in the input images was the pinkish colour and ambient shadows, so I desaturated this and blended it over AO generated from the high res scan geometry. Upon inspecting the normal and height maps generated, they looked like they could serve well as a basis for some sort of gooey entrails or noodles, so after removing texture seams in Artomatix, I set about playing with roughness values to suggest a moistness to the surface.

This is where it started to get interesting 😀 By shifting albedo hues around and pulling away the roughness I started to get something that resembled raw minced meat, Vegans look away now!


The great thing about tiling textures is that you can use it across different models arbitrarily, once the UV’s are well laid out or tri-planar mapping is used. I modelled a basic cone shape and used an FFD in 3dsmax to pull it into something that looked like it had been kneaded by hand. I then unwrapped the model so that the UVs warped nicely around the top of the cone and applied the material. Some sub surface scattering also helped bring realism to the material. I’m also trying some new secret sauce with lighting that I think is bringing something more to my renders.

I worked into the albedo and roughness textures to bring it closer to the feel I was looking for, and although this was supposed to be a material creation exercise I modelled up a chopping board and some paper to place it on, along with a granite style worktop, which was just a plane with some stock textures from Textures.com. Adding some grease and seepage onto the paper really helped with ickiness!

Here’s the material again on what is basically a chamfer box primitive with some slight cellular displacement.

petemcnally_mincedbeef_07The base geometry:

Here’s the texture breakdown:

After looking at this for a few hours, I actually started feeling a little sick, so I thought I’d have some fun with the material, like what if it wasn’t quite ready to be cooked up?

Maybe take a look with a phone camera?

Or, what if it was like some sort of slowly oozing mince volcano? (Needs sound!)

What if it was some sort of monstrous shape, like a fresh zombie human head? :O

Rendered to a 32bit EXR and tweaked in Photoshop:

If you’re not grossed out by now, I’ll have to work harder next time! Interesting experiment though, taking textures created from one 3D scan and using them to create a completely different look on another.

Advertisements

~ by petemcnally on September 12, 2018.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

 
%d bloggers like this: